I'd be very very surprised if it's sped up, the effect you're seeing is the way the Go Pro camera records, from memory it's 30 progressive (full frames) frames per second, judging by the flicker in the trackside cameras, Alan is shooting in 50i, that's sort of 25 frames per sec (although thats 2 interlaced frames, hence the 50) in conforming the onboard footage to match his main cameras for his multiclip sequences to work in his editing workflow, the onboard looks quicker, a sort of rotoscoping affect, due it being a lower quality HD to his main cameras, ideally he'd strap one of F1's HD onboard camera's on, and record the footage remotely, but then again that kind of system would probably cost more than all his cameras put together. In cinema production, onboards are often referred to as 'Crash Cams' Go Pro and Contour, are cheap, high quality HD cameras, that a video production company at this budget you can just about afford to be expendable and crash, one or two a season. Cleverer still is they are not his onboard cameras lol!
The ability to deploy onboard cameras is the biggest single plus in the coverage, from a casual (non karter) viewer experience point of view, thats gives some sensation of what it is like to drive a kart.
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